Meet the Milliner: Sandy Aslett

What styles are defining millinery this spring? 
This spring, I believe there is a wonderful resurgence of joyful expression in millinery. I notice a strong trend towards structured pillboxes, curvettes, and crowns with a modern twist – think shimmering finishes, bold sculptural elements, and vibrant colourways. There is also an increase in dynamic trims such as floating bows, metallic curls, and openwork textures. While wide brims and discs remain timeless, it is the confident cocktail hat with architectural details that truly stands out. 

Are there any standout colours or materials this season? 
Absolutely! Coming from Queensland, colour is more vibrant and confident than ever. Rich corals, lipstick reds, sun-bright yellows, and rainbow iridescence are taking centre stage, often paired unexpectedly for maximum impact. Lurex-threaded sinamay, rainbow metallic trims, variegated mesh and acrylic florals are becoming popular for their texture and movement. It’s all about playful elegance and making a statement. 

Are clients leaning more toward timeless styles or bolder pieces? 
There’s a beautiful tension between tradition and modernity right now. Many clients still gravitate to timeless silhouettes like pillboxes or brims, but they’re seeking a unique edge through innovative trims, vivid colour palettes, or unexpected materials. They want wearable art. I find more clients are open to bolder choices if the design is well-balanced and flatters their style. 

What’s the best way to choose the right headpiece? 
Sometimes, it depends on the client. Some begin with a showstopping outfit and want a hat that harmonises, while others fall in love with a headpiece first and build the outfit around it.

I love when a hat inspires the outfit – it opens up a more creative and bold approach. That said, balance is key: your hat should elevate your look, not overpower it. 

What’s your advice on matching hair to hats? 
Millinery and hair should work as a team! For the percher and pillbox styles, soft updos or low chignons are ideal — they allow the shape to stand out while adding elegance. For headbands or larger shapes, sleek hair or styled waves can provide balance. If it’s a windy day, I always recommend securing styles with discreet elastic or combs and keeping hair slightly textured for grip. 

Best advice for managing your hair on the day? 
Start with smooth, clean hair and avoid heavy styling products that can interfere with hat fit. If you’re wearing elastic, style your hair so it sits just under the occipital bone for comfort. After a long day, give your scalp a break with a gentle massage and some dry shampoo or light spray to revive volume. 

Should clients come to you with a hat or outfit first? 
It usually starts with a chat! I like to understand their event, their outfit (if it’s chosen), and their personal style. If they have a dress in mind, we design the hat to complement it, also discussing colour, texture, or silhouette. If they’re beginning with the hat, then we create something bold and unique that can influence the overall look. It’s all about crafting a cohesive story. 

Any common millinery mistakes you see on race day? 
A common mistake is choosing something too small or too safe, especially on major race days when bold creativity is encouraged. Another is neglecting balance: if the dress is dramatic, the hat should complement it, not compete with it. Additionally, overlooking comfort can spoil the day. Fit, weight, and secure fixing are just as vital as appearance. 

What makes a truly great race-day hat? 
A great race-day hat turns heads for the right reasons. It should feel effortless to wear, harmonise with the outfit, and reflect your personality.

The magic happens when the piece feels like an extension of you – not a costume, but a statement of style, confidence, and joy. Wear it like you truly mean it, with a spring in your step and a cheeky smile! 

What’s one surprising detail most people wouldn’t know about millinery? 
Most people don’t realise how much effort is involved in blocking, shaping, designing, and hand-finishing a piece – whether in sinamay, parisisal, or buntal – including hand-sculpted elements, often wired for structure. A simple-looking bow or trim can take hours to perfect, especially if it’s suspended in mid-air. Additionally, most of my pieces feature a subtle nod to the creator in the form of a small identity metal tag sewn on the front of the hat for good luck on race day.